Saturday 28 January
14:00, 16:00, 18:00
Wednesday 01 February
16:00, 18:00, 20:00
Friday 03 February
16:00, 18:00, 20:00
Saturday 04 February
11:00, 14:00, 16:00
Coco Velten
Installation vidéoTranslation to come.
Writing, conception, video, scenography: Nina Gazaniol Vérité
Writing, dramaturgy, costums: Marion Vincent
Sound recording, mixing, sound design: Alban de Tournadre
Scenography, technical direction: Mahatsanga Le Dantec
Digital device: Atelier Hémisphère
Photo credits: Nina Gazaniol Vérité, Mahatsanga Le Dantec, Julien Penichost
With: Christine Teulier, Alexis Teulier, Marc Teulier, Virginie Barthelemy, Timeo Martinez, Lilou Martinez, Gérold Martinez, Karim Achour, Alexandre Filhol, Charlotte Falip, Morgane Fernandes, Elaura Sanhes, Thomas Peres, Simone Falip, Michel Falip, Georges Marti, Manon Viret, Guy Brunet, Benoit Coquard, l’équipe de Roller Hockey «Les gueules noires» de Decazeville, le club de danse folklorique «La Crouzade» de Firmi et le club de Twirling bâton d’Aubin.
Production: association Tropacool
Coproduction: L’Abattoir, Association Éclat, Lieux Publics, Parallèle - Pratiques artistiques émergentes internationales, Théâtre Le Sillon - Scène conventionnée art en territoire
Support and partners: KompleX KapharnaüM, le Ministère de la Culture, la DRAC Auvergne- Rhône-Alpes, Atelier Hémisphère, les Laboratoires deletere, FAI AR
Visual artist, video and documentary maker.
Born in Aveyron in 1987.
Lives and works in Marseille.
Graduated in Performing Arts and Journalism, Nina Gazaniol Vérité studies the diversion of television through performance art in the thesis “Don’t hate the Media, Be the media”, does internships at ARTE and approaches experimental cinema while getting involved in multiple trans-disciplinary projects. In 2013, she joined the Formation supérieure pour la création en espace public (FAI AR) where she developed her interest in architecture, territories, notions of spaces and inhabitants, and worked on the collision of pop and classical culture. Since 2015, she imagines different projects while cultivating a valuable relationship with research and writing, notably as a critic (Mouvement magazine) or with the independent editions Balleperdue. She regularly collaborates with various groups and artists, including Anna Anderegg / Asphalt Piloten, BallePerdue Collectif and KompleX KapharnaüM, where she has been an associate artist since 2020. Her work, at the crossroads of digital and spatial arts, performance and documentary, questions a plastic writing anchored in reality. And vice versa.